Drink The Sea

Tonight, after your medicines
capsize you, after you sink
into the churning depths of sleep,
I am going to walk down
to the shore of the sea,
down past the white sand dunes,
down past sandspur and panic
grass, down to the dark wet.

Whatever chemical dreams
you dream, they will comfort you
long enough for me to fall
on my knees, put my head
against the soaking sand
and crash headlong into the surf.

I’m going to open my mouth
as wide as it will go,
and let the ocean rush in.
I’ll drink deep, swallow gallons
and gallons of sea and shells
and galleons rotting under the waves.
All the humpbacked whales
and shark-stuck suckerfish
and the red seahorses, too.

I’ll swallow the Great Barrier Reef
and the Strait of Gibraltar
and every single one
of Sinbad’s Seven Seas,
just to put out the fire
that scorches my brain
everytime I think of you sinking.

I’ll drink the sea dry
to keep you afloat.

This poem was originally published under the pen name Gabriel Gadfly.

I Did Not Keep Your Letters

I read them,
and then I threw them in the trash,
but make no mistake, I read them.

I swallowed them whole.
I filled my eyes with every word,
I sewed them in patterns
into my flesh of my body,
at night I wake to entertain the ghosts
lounging in my bedroom
with impromptu recitations
of your letters, of your thoughts,
of the shape of you in words

but I could not keep your letters.

I could not let them languish
in a dusty box, fermenting
into poisons in the closet dark.
I could not let them lie in wait,
like coiled paper vipers
ready to strike the hand that strays
too far and stirs the den.

This poem was originally published under the pen name Gabriel Gadfly.

The Sound of Coffin Nails Pried Up

Your sorrows must not
be shuffled off to dust over
in closets and drawers.

Pull them out.
Make the world know them.

Scrawl love letters to your wounds
on the sides of skyscrapers,
so the whole city must stare at them,
so the mayor and the aldermen
and the meter maids must stare at them.

Stamp your feet so hard the subways rattle,
scream so loud the windows rattle,
tear out so much of your hair
the birds in the park will never want
for nesting.

Grief yourself hollow
but make sure they remember why.

This poem was originally published under the pen name Gabriel Gadfly.

Terracotta

After the storm,
pieces of terracotta
washed up on the shore,
cast off from some
ill-fated freighter or
dashed-to-bits potter’s shop.

We walked along the sand,
picked them up in handfuls
and tried to imagine
what shapes
they might have had
before they were broken.

Vases or bowls
or ancient statues
of a Chinese emperor’s
bodyguards?

Whatever, they are broken
now and they have become
something else entirely.

Detritus, but beautiful
among the glistening seaweed
and the water and the sand.

This poem was originally published under the pen name Gabriel Gadfly.

Mouthfuls

Sometimes I grow
so tired of speaking
my emotions to you.

I open my mouth
and dust spills out
instead of feelings.

Dust, and the yellow
wings of moths,
and brittle paper,

scrawled over
with riddles that
lack solutions.

I am coughing up
the black twists
of candle wicks,

oil slicks
and crow feathers
and afterbirth

and all the ash
of every forest fire
burning

to show you
how I feel.

This poem was originally published under the pen name Gabriel Gadfly.

Survival

The first time
you took off your clothes
in front of me, you slid
the white fabric of your blouse
off your arms and revealed
the pale ladders
of scars.

You never referenced them
directly. You said you were
lost, once. You said you
did things, once, and you
did them because they
helped you survive yourself.

I didn’t say anything,
but you took my hand
and pressed it to the
ridged rows of your flesh
and for every line you left
upon yourself and healed,
I found another reason
to call you beautiful.

This poem was originally published under the pen name Gabriel Gadfly.

Promises, Promises

We wrote promises to each other
on the backs of our hands,
wrote them with sticks in the sand
of Lake Burton’s shoreline,
wrote them and spoke them
and broke them
effortlessly.

We wore ourselves thin with them,
snapping promises like cables
until they could no longer
hold up our weight
and the suspension bridge
bridging us
came crashing down

and even then
across the chasm and the gulf
we cupped our hands
around our mouths
and shouted promises at each other
until we were too hoarse
to say anything at all.

This poem was originally published under the pen name Gabriel Gadfly.

The Second Wake I Wait For You

I may have to hit you
in the head with a shovel
and I don’t want to.

The man on the news
said the dead are rising
from their graves,
said this is the end of the world,
said oh god they’re at the door
they’re at the door
and then he screamed
and the screen went red
and the channel went
to static, to snow, to fuzz
so he’s probably right.

I turned off the television
and then I drove out to the
cemetery at the edge of town
and sat down with
a lantern and the old shovel
we used to keep in the shed.
The sharp grin of the moon
is coming up
and I keep hearing things
rustling in the dark.
I’ll sit down
to wait for you.

Don’t come up.
Don’t come up.
Stay in your box under the ground
and let me remember
the golden coils of your hair
before they get tangled
with grave dirt and coffin splinters,
let me remember your smiling mouth
before it starts trying to bite
through my throat.

This poem was originally published under the pen name Gabriel Gadfly.

Sand Castles

I have a photo of you,
squinting in bright sundown
next to the big sand castle
we built on Clearwater Beach.

That castle took hours.
It took buckets
full of wet white sand,
and we poured it
and shaped it
into minarets and towers,
arches and battlements
on wide round walls,
until our hands were raw,
our necks burned red

and then the sun went down.

I took a photo of you with our castle,
a snapshot to record our sweat and work
and as the last light sunk into the gulf,
we packed up our things
and you kicked our castle down.