Pilot Star

Some nights when you have gone to sleep
I go up to the roof and look for my pilot star,
my navigation star,
my guideline, my trajectory,

the place I am heading
when I stretch out my arms
and leap off the roof
and leave this silly planet behind.

Once I find it, I could go anywhere.

Fling myself out into the black sea,
skip upon every world whirling around the sun:
angry Jupiter, mysterious Saturn,
the frozen pebble of silent Pluto.
I could just keep going, out beyond the asteroids,
out past the dusty corner of everything
humans have ever known,
into the dark, into the dark,
until I find out where space ends
and nothing begins.

I never find it, my pilot star.

It is not there.
I will search and stare and hunt
for my pilot star until the night is almost spent
and then I will go in and lie down next to you,
next to the smell of your hair,
the heat of your body, the shape of you,
and I will know why.

Jupiter has its storms
and Saturn its rings
and forgotten Pluto cold secrets,
but only the Earth has you.

This poem was originally published under the pen name Gabriel Gadfly.

Why I Hate Reading Maps

I have unrolled a map
onto my kitchen table
and put one finger
where you are and
another where I am.

The space between
is only inches. That close,
I could feel you breathing.
I could reach out and
run my fingers through
every strand of your hair,
touch your lips and
barely need to move.

In the corner of the map
there is a guide for judging scale:
every inch a hundred miles
full of roads and rivers and trees,
the guide a sharp reminder
that you are where you are
and I am where I am,
inches apart.

This poem was originally published under the pen name Gabriel Gadfly.

Life and Death and Knowledge

I.

You have only these hours and days.

II.

When you accept them,
you have no need of
afterlives or prior lives.
You have the single empty box
of a life and all the universe
to fill it with.

III.

Live like this: there is an end to you.
Don’t fear it. Don’t wallow.
Flowers wilt. Rivers dry up.
Even the stars extinguish themselves.
Have your time and then let it go.

IV.

Do not shy from your ending
with mad horse eyes.

V.

Allow the box of your life,
when you have filled it,
to have its spaces.
Resist the temptation
to stuff the gaps with gods
who do not know you.

VI.

Pull uncertainty into your arms
and kiss her lips;
too many neglect her,
but she is an eager lover,
and desires only your attention.
Let her teach you how to say
“I don’t know and that is beautiful”

VII.

You have only these minutes and years.

This poem was originally published under the pen name Gabriel Gadfly.

In Absentia

I think for a moment
you sweep past:

a smoke of rose, a wisp of heat,
a hint of calm, a whisper
without sound but scented
with your lips, your tongue,
your breath, it eddies through
the turbulence
of my everyday.

Inhale your scent,
pretend your scent
is present to be inhaled.

Swallow the lump
rising in my throat.

This is how I get through
the moments between
our meetings.

This poem was originally published under the pen name Gabriel Gadfly.

County Road 23

The weekend over, we left your parent’s house,
and drove home in the rain,
tense and tired to our bones
from your father’s opinions about the government,
from your mother’s mild but persistent interrogations,
from your little brother and his dog Cheyanne,
both joyful, but barking desperate for attention.

Neither of us said anything,
you with your arms crossed in the passenger seat,
me with hands white-knuckled on the wheel,
weary to be home, but with miles to go.

The sun went down, and drove darker
until we rolled along County Road 23,
past a dairy farm and a Baptist church
with a parking lot full of farm trucks,
even though it was getting late
even for country preachers high on hellfire.

Those were the last lights we passed
for miles, until pine trees nuzzled close in the dark
and we hit a patch freshly paved:
new asphalt so dark, so smooth it seemed like
we sailed down a river of night,

a slick of black glass that stretched
to the limits of the high-beams
and seemed as if it might crack beneath the tires.

We were both startled
by the tiny tree frog that popped into the road,
by his little jubilant leap into the rain,
his dance in light and wetness, his happy transit,
and your hand flew to my thigh
as I pressed the brake and slowed to let him pass.

Neither of us said anything,
but your hand settled from tension to comfort
and I eased my grip on the wheel
as the small green wanderer landed safely
in the pine straw piled on the other side of the road,

and then we continued on our way,
but your hand never moved,
not for the next fifty miles until we made it home.

This poem was originally published under the pen name Gabriel Gadfly.

What My Heart Wears

My heart wears yellow sunglasses.
My heart wears satin in blues, wears all the hues
of a flower garden bloomed in finger and paint.
My heart wears galaxies in shades of bruise.

My heart wears cedar faces, my heart chases places
magical and strange, my heart wears card games.
My laughing heart laughs, wears song after song
until my heart sleeps and music plays on.
My heart wears long into the night.

My heart wears dizzy the flesh and scent of orange.
My heart wears dizzy in love.

My heart wears wind, wears sand, wears stars,
wears the thousand tail lights of a thousand cars.
The thigh of my heart wears fire;
the hip and shoulder of my heart wears plum.
My heart in my mouth wears desire,
my heart moans slick with desire,
my heart wears my mouth,
but my heart goes north while I go south.

My heart wears away like away is a dress,
and my love for my heart is not little or less
for my heart being elsewhere and away.

My heart will wear yesterday until yesterday becomes
the next day I hold my heart in my hands again
and kiss the lips of my heart
and the throat of my heart,
until I wear my heart and my heart wears me again.

This poem was originally published under the pen name Gabriel Gadfly.

Bone

What have you done to me?

Morning wakes light
in the window.
I pull away the covers
and lift myself up,
but my bones fall out
between the sheets.

You are still asleep;
the sun creeps across your lips
and my skeleton beside you
cups your breast in his hand,
his bones fat-yellowed
and marrowed out with desire;
I leave your side and leave my love
beside you, I leave all
the white osteology of my love.

Is my love macabre?
My love rattles.
My love clatters and clacks,
my love snaps and pops at the joints.
I cannot quiet it.
I can try to bury
all the raw cartilage and calcium
of my love, I can try to crack it
and mortar it down
to so much grey dust,

but my love must be bone:
it wrestles under the muscle
and blood of my love,
under the skin of my love,
the bones of my love are what
the tendons and tissues of my love
bind to when I love you.

My love is lunate and scaphoid.
It is vertebral, sternal, my love
is cranial and pelvic and hyoid.
My love is two hundred and six
bone white statements of my love.

This poem was originally published under the pen name Gabriel Gadfly.

Pipistrellus Pipistrellus

I watched a bat snipe
summer bugs
from their streetlight haven
and thought of you:
your artful lips
the sharp clip of your teeth
beneath my ear,
a target never missed,
no matter how I move,
as if my whispered name
allows you to echo-locate it.

In a few minutes,
I’ll be home:
I will take you by the hand
turn off the light
dangle together
upside down
off the edge of the bed
with you.

Shh.
Just listen to the place
where the air from my lungs
starts kissing the air from yours.

This poem was originally published under the pen name Gabriel Gadfly.

Babushka the Moth

Khatyn, Belarus, March 22, 1943

Babushka the Moth
committed her children
into the stern care of Ruchka,
the schoolteacher wasp,
all save tiny Pulja,
who was still sleeping
and could not be
woken.

Keep them safe,
Babushka the Moth pleaded,
Do not let them see this.
They will not be stung,
the Wasp replied
but from there,
the little ones could have
no more kisses
and Ruchka was gone
the little ones with her,
all save sleeping Pulja
and Babushka the Moth.

With the door nailed shut,
nestled down between the
floorboards and the dust,
Babushka the Moth
held her tiny Pulja
to her breast,
and burned with the rest
of Khatyn’s innocents.

This poem was originally published under the pen name Gabriel Gadfly.