Survival

The first time
you took off your clothes
in front of me, you slid
the white fabric of your blouse
off your arms and revealed
the pale ladders
of scars.

You never referenced them
directly. You said you were
lost, once. You said you
did things, once, and you
did them because they
helped you survive yourself.

I didn’t say anything,
but you took my hand
and pressed it to the
ridged rows of your flesh
and for every line you left
upon yourself and healed,
I found another reason
to call you beautiful.

This poem was originally published under the pen name Gabriel Gadfly.

Promises, Promises

We wrote promises to each other
on the backs of our hands,
wrote them with sticks in the sand
of Lake Burton’s shoreline,
wrote them and spoke them
and broke them
effortlessly.

We wore ourselves thin with them,
snapping promises like cables
until they could no longer
hold up our weight
and the suspension bridge
bridging us
came crashing down

and even then
across the chasm and the gulf
we cupped our hands
around our mouths
and shouted promises at each other
until we were too hoarse
to say anything at all.

This poem was originally published under the pen name Gabriel Gadfly.

The Second Wake I Wait For You

I may have to hit you
in the head with a shovel
and I don’t want to.

The man on the news
said the dead are rising
from their graves,
said this is the end of the world,
said oh god they’re at the door
they’re at the door
and then he screamed
and the screen went red
and the channel went
to static, to snow, to fuzz
so he’s probably right.

I turned off the television
and then I drove out to the
cemetery at the edge of town
and sat down with
a lantern and the old shovel
we used to keep in the shed.
The sharp grin of the moon
is coming up
and I keep hearing things
rustling in the dark.
I’ll sit down
to wait for you.

Don’t come up.
Don’t come up.
Stay in your box under the ground
and let me remember
the golden coils of your hair
before they get tangled
with grave dirt and coffin splinters,
let me remember your smiling mouth
before it starts trying to bite
through my throat.

This poem was originally published under the pen name Gabriel Gadfly.

Sand Castles

I have a photo of you,
squinting in bright sundown
next to the big sand castle
we built on Clearwater Beach.

That castle took hours.
It took buckets
full of wet white sand,
and we poured it
and shaped it
into minarets and towers,
arches and battlements
on wide round walls,
until our hands were raw,
our necks burned red

and then the sun went down.

I took a photo of you with our castle,
a snapshot to record our sweat and work
and as the last light sunk into the gulf,
we packed up our things
and you kicked our castle down.

Deep End

You went back up to our room to find a towel
and while I waited for you to return,
I bobbed in the deep end of the hotel pool,
watching an old couple kiss in the shallows.

I knew we would never last that long.

Not through decades,
not through crow’s feet and laugh lines,
not through enough for our hands to wrinkle,
no matter how long we submerged
ourselves in each other.

Briefly, I considered swimming over
to ask what secret preserved them,
to ask what I could do to save us from drowning,
but before I got the chance, you came back down
and asked what I was thinking about.

I could think of no explanation,
so I said nothing and I dove to the bottom
and I sat in the deep with my eyes open,
staring up at you staring down
through gallons at me.

This poem was originally published under the pen name Gabriel Gadfly.

Blackout

On the coldest night of the year,
a squirrel picked a fight
with the transformer
at the top of a power pole.

Neither made it out alive,
and the lights went out,
and the heat and the Internet
and I went out, too,
to stare down our street of dark houses,
with their black-windowed faces
and the frost in their yards.

Beyond our neighborhood,
the rest of the city glowed,
still bright, still flushed electric,
still full of warmth and motion,
and I realized we were alone
with the cold and the dark,
left to huddle under our blankets
and try to rub ourselves warm.

Before I went inside
to fumble for candles
and flashlights,
I stopped, just for a moment,
and imagined this must be
what a foot feels like
on the wrong side
of a blood clot.

This poem was originally published under the pen name Gabriel Gadfly.

Heimlich

Poems are dangerous.

They have bones in them:
a white rib, a femur,
a clavicle, vertebra,
little ones, so when you bite in,
so when the poem
bursts
in your mouth,
they crack your teeth,
they make you swallow,
they catch in your throat,
they catch,
they catch,
they leave you with toothaches
and bellyaches,
they leave you gasping
for air, for air,

they leave you begging
for a punch in the gut
so you can breathe.

This poem was originally published under the pen name Gabriel Gadfly.

What The Sea Spits Out

Every time you say
you love seashells,
I know what you mean
is that you love conch
and whelk and nautilus.

That you love
the broad fans of scallop shells,
spiral mollusks, sea snails,
white sand dollars
like round suns,
lying like jewels
on the edge of the sea.

I am a kind of seashell, too:
a handful of color,
sharp-edged grit,
sea glass, sand,
coral and whale bone,
and shining,
here and there,
with mother of pearl.

This poem was originally published under the pen name Gabriel Gadfly.

The Minotaur

You stand undressed
in front of the mirror,
and every time,
you cast open the gates
and step
into your labyrinth of
doubts, every time,
into winding passages
full of thorns
and black brambles.
You wander in
just to scratch
the itch
of hating yourself.

You pinch your hips,
and squeeze your breasts
and frown at yourself.
You are looking
for the minotaur,
for the shaggy head
and the bloody horns,
for the muscle and fur
that will put its knee
into your back
and break you.

You poke the lines
of your face, you
wander the moss-
frosted stones
and pick your way
through, you listen for his
lowing, for his hooves
stamping on the rock,
for the hot breath he huffs
and sniffs for you,
and with every step,
you draw nearer and nearer.

But there is more
in your labyrinth
than that.

Past the brambles
and the bends,
the cobblestones break
and there is a garden
growing wild in the center,
full of red and yellow dahlias,
full of climbing ivy and
white virgin’s bower,
and the full brightness of the sun.

The minotaur
doesn’t dare go near there,
he doesn’t dare.

This poem was originally published under the pen name Gabriel Gadfly.