Back to Savannah

August, 1865

You trudge home,
finally, after months under
the sun and the dust,
shades darker, bronzed
and withered and caked
up to your knees in mud
and more.

Your sons have grown
into farmers while
you were gone.
They have tilled the fields
and sown the seeds,
and although you look
like you might fall over,
you wander out into
the rows of potatoes, kneel down
and pick up a handful of earth.

Only some of it washes off.
Much of it never will,
but you are home
and that is enough.

This poem was originally published under the pen name Gabriel Gadfly.

Ars Poetica: Davey Jones

You plagiarized your heart, love,
copied it uncredited from storybooks
the rest of us have abandoned.

Don’t you know that our hearts
are salted and stowed
in the echoing holds of the
storm-tossed hulks
to which we resigned our fates?
Like you, we pickled our dreams
in barrels of paper and ink.

You’ll sink with the rest of us, love,
you’ll drown amid the uncredited echoes
of our extinguished ambitions:
you will fail, you will fail, you will fail.
Swept beneath the keel
or faceless in the flood:
understand, love, that your words
are only new to yourself.

This poem was originally published under the pen name Gabriel Gadfly.

Armistice

Curled against your hip in this shallow ditch,
I can almost forget the slow whine of
far-off mortar fire. I can almost forget the blood
that cakes the dust to your pant leg. I can almost
forget that tomorrow I will carry your
body fourteen miles on my shoulders.

The Belgian night is quiet, and for a while,
the only things raining down on us are the quivering lights
of all the stars over Europe, and for a while,
I am pretending this shallow muddy ditch is a bed
in New Hampshire, with white linens,
many pillows, and your skin.

This poem was originally published under the pen name Gabriel Gadfly.

Apricots

In your diary,
you’ve drawn little apricots
with faces: smiling, laughing apricots,
melancholy apricots–
little Spartan apricots driving
little Persian apricots off
black Greek cliffs.

On page 63, your daily apricot
is missing, and I like to think
he is off on some adventure,
lost in the labyrinthine underbelly
of hospital sprawl
your passage describes.

Every apricot in June shrinks,
sketched in fainter penstrokes:
ragged apricots until
the cusp of July
and a final apricot.
Ghost-eyed, half-formed,
he is staring up at me,
but no longer seeing.

This poem was originally published under the pen name Gabriel Gadfly.

Apple Core, Hourglass

These cords keep her from splitting,
wound round and round,
over breast and under breast
and back and forth across
belly flesh and lumbar curve,
settled down over hip swells,
pelvic bone.

Fibers, fibers,
crosshatch and diamond braid,
a texture for every inch of pale flesh:
weight of the knot here,
lark’s head, wound back upon itself.

There is newfound strength
in corseting and constraint:
apple core, hourglass,
trunk of the oak tree, wheat sheaf,
bound under the cleanest sun.
Even concaved, she is radiant.

This poem was originally published under the pen name Gabriel Gadfly.

Anchoring

If I had hollow bird bones,
you’d find me
in the corner,
filling them with buckshot.

Oh, I still want to fly.
Far up, higher
and higher
until blue air thins
and lungs catch fire
for scarcity

but you know
I’d never
come back down.

Weigh me here
with heft,
with burden,

crow’s feet
that never leave
the earth.

This poem was originally published under the pen name Gabriel Gadfly.

An Oyster Meets Aphrodite

She lies against the curve of the sea’s hip,
clothed only in sand.
and never before have I envied
crushed quartz,
but I envy the dust that supports her.

When the tide thieves it away,
I shall drink one of those graced grains.
I’ll pack that sedimentary sentiment
into my shell.
I’ll study it well,
though it burns my tongue.

One day,
a suitor with a shallow knife
will cut her from me,
just to admire her beauty.

Were I he,
I would do the same.

This poem was originally published under the pen name Gabriel Gadfly.

After Homelessness

The shapes of a small woman’s bones
twist on an empty isolated floor
and I wonder if she still inhabits them –
if the girl that flesh was made for
still yearns for the pleasure of
making love to sunlight and rain,
for the unexpected bliss of
hearing her own heart beat
in the silences of stolen breaths.

The stepping-stones of her ribs
wear the ghost light of seclusion
more than they wear
the vital membrane of her flesh;
I want to paint with my fingers
the parts of her that have lost their color:
her stepping-stone ribs, the lone hip,
the single ear defined only
by the shadow it casts in the light.
I want to paint them
in the messy radiance
of warmth and invitation.

I want to give her one bright flower
to wear in the valley of her shoulders.

I want to give her a poem
and a candle to read it by.

This poem was originally published under the pen name Gabriel Gadfly.

Acorns

As the sun sets,
old mother oak tree
shakes the rain
from her limbs
and stretches her
roots down and down.

On the ground below,
all her tiny little children
with brown round caps
snuggle down into
the softest earth
and dream of the leaves
they’ll have one day.

This poem was originally published under the pen name Gabriel Gadfly.

Threads

From time to time,
when you have wandered
away from a person,

you wander a little further
and feel the slightest tug
at your ankle.

Looking down, you find
a thread, red or maybe
blue, barely seen,
barely there, tied

gently and trailing
as far back as you
can see and you know,
instinctively, where
it leads.

It brings you to a choice:
to take one more step,
snap the thread and
leave it where it lay,
or return from whence
you came.

Sometimes, the one’s
the best choice;
sometimes, it’s the other.

This poem was originally published under the pen name Gabriel Gadfly.