Lepidoptera Down

In the hall outside my apartment
the tabby that haunts the building
has killed a giant moth: the debris
stretches from my neighbor’s door
to my doorstep, a sea of brown
flecks of tattered membrane, like
pieces of shredded airplane fuselage.
The main body, sans left wing,
plows into the thick grey carpet,
panicked sensors shrieking alarms;
the engines splutter, flutter weakly,
then silence, as the beast slinks
away. Tower loses contact with craft.
Expected survivors: none.

This poem was originally published under the pen name Gabriel Gadfly.

The Trembling Room

The parents are sitting
behind a glass wall
on a brown leather couch.
Not black.
Not a black couch.
There is nothing black
in the room at all.

There is a glass coffee table
with shiny chrome legs.
There is a ceramic vase
holding red flowers.
There is a window
overlooking the hospital yard,
green grass, oak trees.

There is a mother, wringing her hands,
there is a father, grinding his teeth,
and there is silence.

There is so much
ready to break
in this trembling room.

This poem was originally published under the pen name Gabriel Gadfly.

Breaking

One day, you will open the cupboard
to find a wine glass or some Tupperware
and the world will, without warning
or alarm, roll off the edge of the shelf
and coming crashing down.

The oceans will splash onto the linoleum,
onto the rug. All the dust in all the deserts
will rain down onto the couch and coffee table,
the hills will crumble, the mountains will break,
all the windows in all the cities will shatter
and fall, a thousand dangerous miles of glass
glittering on your kitchen floor.

Everything will hush.

Exhale the breath you are holding,
and go look for a dust pan, for a broom.

This poem was originally published under the pen name Gabriel Gadfly.

Your Grandmother’s Vase

I broke your grandmother’s vase.
The blue one, patterned with lilacs,
liberated from a secondhand store
in Czechoslovakia in 1939.

Like your grandmother,
it came with stories:
she talked a German officer
into buying it for her
in exchange for a date
she never showed up for,
the year her brother
put her on a train with a trunk
full of dresses and a little sister,
a hundred korunas sewn
into her underwear, where she knew
no one would find them.

I broke your grandmother’s vase.
I knocked it off the shelf,
dove to catch it, missed,
and watched it shatter into
thirty-nine pieces, patterned with lilacs.
Thirty-nine, because I counted
every piece as I hid them
in a drawer in the shed behind
the house, beside the hammer
and wrench, where I knew
you would not find them.

This poem was originally published under the pen name Gabriel Gadfly.

Castor and Pollux and the Siege of Paris

December, 1870

After the beef was gone,
after the pork and the lamb,
and the fowl and the fish
and the dogs, and the cats,
and the rats in the gutter,
the butchers turned to the zoo.

We ate the wolves.
We ate the wolves
broiled in sauce of deer,
the antelope truffled and terrined.
We ate the camels
with breadcrumbs and butter,
and when they were all gone,
we sharpened our knives
and primed our guns
and came back for the elephants.

The gunsmith Devisme did the deed,
hurled an explosive ball
through each of their docile heads.
They fell like mountains,
like the pillars of Dagon
pulled down by mighty Samson,
and then we hacked them up
and carted them away to the kitchens,
to feed the wealthy and the rich
in the clubs of bright Paris.

This poem was originally published under the pen name Gabriel Gadfly.

Solitude

This is the first night
I am lying in the dark
without you.

The room does not breathe.
It does not stir, it does not
cough nor sniff, it does not
roll over and seek my hand
in the middle of the night.

It does not wander in the night.
It does not wander under the sheets
and over naked flesh that yearns
for your touch, it does not
wake to dawn knocking at the window
and say hello good morning
I can’t wait to start the day with you.

This poem was originally published under the pen name Gabriel Gadfly.

Rules for a Nightly News Feature on Obesity

Fat people have no heads.
They end at the shoulders,
they are clipped off at the neck.
Never talk to fat people.
You may talk to an expert,
to a dietitian or a doctor
but never to a real live fat person
because fat people have no heads.

Use the word Epidemic
at least once, especially
if children are involved.
Children are always involved,
so use the word Epidemic
at least once. Fat children
still have heads, usually;
only fat adults must be
d e c a p i t a t e d.

Because he still has his head
you may talk to a fat child,
especially if you offer him
a box of chicken nuggets.
Entice him to say Alarming Things
with a box of chicken nuggets.

After the word Epidemic
segue from concerned anchorwoman
to stock footage of fat headless girl
browsing the plus size racks at J.C. Penny’s.

Cut to fat headless mom
walking with her fat headless son
on a sidewalk populated by
fat headless pedestrians.

Voice-over Alarming Things
about experts say fat headless people
do not get enough exercise
and segue to fat headless man
stuffing his fingers into a box
of McDonald’s french fries.

Fat people eat only McDonald’s
french fries and we will be right
back with more on this story
after a word from our sponsors.

Cue McDonald’s theme song.
Pretty peppy people under Golden Arches,
laughing with their heads
as they eat McDonald’s french fries
with their heads
and never gain a pound.

This poem was originally published under the pen name Gabriel Gadfly.

Strange Geographies

As a child, I used to cut
apart maps of America,
separate the states and
put them back together
in strange geographies:
Kansas against Maine,
fling the Dakotas as far
away from each other
as they could go, press
New Mexico against the
breast of South Carolina.
I tucked tiny Rhode Island
into the palm of Michigan,
gave Nebraska a seaside.

I realize now the folly
in these stately migrations:
I never thought I’d wish
I could drive across the
border of Alabama into
Oregon’s deep woods.

This poem was originally published under the pen name Gabriel Gadfly.

Snowstorm

The children misheard you.
They broke open the jar
looking for petals
and found only flours.

The dust is everywhere,
settling everywhere,
on the refrigerator and the stove,
on the startled mother cat
yowling her pawprints
through the snowy floor,
on her sharp-eared kittens
prancing in the clouds.

The three-year old is screaming.
He has cut his finger on the glass,
there are red streaks in the snow,
and his white-faced brother
stares up at you with a look
commonly reserved for
the confused and the betrayed.

— Adam Kamerer

Behind The Scenes

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This poem was originally published under the pen name Gabriel Gadfly.

Rare

We stood on the wood bridge
over old Shoal Creek when
you reached up and shook
a handful of snowflakes
out of the white winter stars.

Just a handful,
just a few cold crystals
that tumbled down into the lazy
loping water of old Shoal Creek.

As we watched them come down,
I grabbed your magic hand
and held it until those falling
flakes were swallowed up
and swept downstream,
thinking you were as rare
as an Alabama snowfall
and I needed to hold your hand
to keep you from disappearing
just as quick.

This poem was originally published under the pen name Gabriel Gadfly.