Solitude

This is the first night
I am lying in the dark
without you.

The room does not breathe.
It does not stir, it does not
cough nor sniff, it does not
roll over and seek my hand
in the middle of the night.

It does not wander in the night.
It does not wander under the sheets
and over naked flesh that yearns
for your touch, it does not
wake to dawn knocking at the window
and say hello good morning
I can’t wait to start the day with you.

This poem was originally published under the pen name Gabriel Gadfly.

Rules for a Nightly News Feature on Obesity

Fat people have no heads.
They end at the shoulders,
they are clipped off at the neck.
Never talk to fat people.
You may talk to an expert,
to a dietitian or a doctor
but never to a real live fat person
because fat people have no heads.

Use the word Epidemic
at least once, especially
if children are involved.
Children are always involved,
so use the word Epidemic
at least once. Fat children
still have heads, usually;
only fat adults must be
d e c a p i t a t e d.

Because he still has his head
you may talk to a fat child,
especially if you offer him
a box of chicken nuggets.
Entice him to say Alarming Things
with a box of chicken nuggets.

After the word Epidemic
segue from concerned anchorwoman
to stock footage of fat headless girl
browsing the plus size racks at J.C. Penny’s.

Cut to fat headless mom
walking with her fat headless son
on a sidewalk populated by
fat headless pedestrians.

Voice-over Alarming Things
about experts say fat headless people
do not get enough exercise
and segue to fat headless man
stuffing his fingers into a box
of McDonald’s french fries.

Fat people eat only McDonald’s
french fries and we will be right
back with more on this story
after a word from our sponsors.

Cue McDonald’s theme song.
Pretty peppy people under Golden Arches,
laughing with their heads
as they eat McDonald’s french fries
with their heads
and never gain a pound.

This poem was originally published under the pen name Gabriel Gadfly.

Strange Geographies

As a child, I used to cut
apart maps of America,
separate the states and
put them back together
in strange geographies:
Kansas against Maine,
fling the Dakotas as far
away from each other
as they could go, press
New Mexico against the
breast of South Carolina.
I tucked tiny Rhode Island
into the palm of Michigan,
gave Nebraska a seaside.

I realize now the folly
in these stately migrations:
I never thought I’d wish
I could drive across the
border of Alabama into
Oregon’s deep woods.

This poem was originally published under the pen name Gabriel Gadfly.

Snowstorm

The children misheard you.
They broke open the jar
looking for petals
and found only flours.

The dust is everywhere,
settling everywhere,
on the refrigerator and the stove,
on the startled mother cat
yowling her pawprints
through the snowy floor,
on her sharp-eared kittens
prancing in the clouds.

The three-year old is screaming.
He has cut his finger on the glass,
there are red streaks in the snow,
and his white-faced brother
stares up at you with a look
commonly reserved for
the confused and the betrayed.

— Adam Kamerer

Behind The Scenes

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This poem was originally published under the pen name Gabriel Gadfly.

Rare

We stood on the wood bridge
over old Shoal Creek when
you reached up and shook
a handful of snowflakes
out of the white winter stars.

Just a handful,
just a few cold crystals
that tumbled down into the lazy
loping water of old Shoal Creek.

As we watched them come down,
I grabbed your magic hand
and held it until those falling
flakes were swallowed up
and swept downstream,
thinking you were as rare
as an Alabama snowfall
and I needed to hold your hand
to keep you from disappearing
just as quick.

This poem was originally published under the pen name Gabriel Gadfly.

Red Light

You said you wanted
me to come over,
and even though it
was nearly midnight,
I agreed.

I hit every red light
between here and
your house: start
stop wait and wait
and wait and start
just to stop and wait
again, stuck listening to
weight-loss infomercials,
right-wing talk radio,
that god-awful jingle
for the lawyer that
tries to sound like
a wild-west cowboy.

Idling under these red
cyclops eyes, I wanted
to tell you that this had
to stop, that I was going
home, that I’d see you
tomorrow, maybe,
but I finished the drive
and remembered why:
the red scent of your hair;
your lips against my neck,
saying,
“I’m glad you’re here.
I’m so glad you’re here.”

This poem was originally published under the pen name Gabriel Gadfly.

Dandelion Girl

You grew up
on the side of the road,
between sidewalk cracks,
in backyards full of
tall bahia grass,
pushing aside their
stems so you could
find the sky.

You grew up
beneath the sun
and out in the rain
and under every
booming thunderstorm
an Alabama summer
could throw your way.

Dogs ran through you.
Men, too, trampled you
but you sprung back up,
rumpled, but still bright,
unbowing, even when
they said you were just
a gangly weed that no
one would find beautiful.

(I found you beautiful,
because your face was
the sun, and I find it
everywhere.)

You grew up.
You had to grow up,
grew white and fragile
and one day the wind
came for you and
carried you away.

Fly far.

This poem was originally published under the pen name Gabriel Gadfly.

Bog

There are days when
you just cannot be happy.

When you cannot dredge
a new smile up out of the deep
silty mires of your soul.
When you cannot spoon
up from the muck
the peat-bog bones of
your laughs for the people
in your life who would hear them.

Days like this may bury you
without warning, like mudslides,
promises, like sinkholes,
or they may creep after you,
encroaching wet marshes
you may be able to keep
one step ahead of, for a while,
before they swallow your ankles
and pull you down.

When these days come for you,
I hope you will remember this:
the sun dries the mud,
and the rain washes it away.

This poem was originally published under the pen name Gabriel Gadfly.

Makahiya

They call her touch-me-not.

Bashful mimosa, sleeping grass,
tickle-me. In Costa Rica,
Dormilona, sleepyhead, or
Tonga’s false death mateloi, or
lojjaboti, the shy virgin in far Bengal.

In the Caribbean, they’ve named her
moriviví. I died, I lived,

open under the sun
until the first caress
and then she hides away.

This poem was originally published under the pen name Gabriel Gadfly.

Leave Only Footprints

The sign at the bottom of the dune
said, “Please, leave only footprints
on the beach.”

I wish I could have done that,
but our soles hit the sand
and you stalked towards the grey roil
of the surf, towards the storm
churning up off the water,
and you didn’t wait for me.

You stood down below the algae line,
up to your ankles in the cold froth,
and I didn’t want to talk to you.
Not even the seagulls wanted to talk to you,
not even the seashells or the sea,
and as I stood by the sign
imploring me to leave only footprints,
I realized you’d left me months ago
and the only choice I had
was to leave you on that beach
and wait for the tide to wash you away.

This poem was originally published under the pen name Gabriel Gadfly.